explore & enjoy.

#1 me, watching an actor work.
photo: Geoffrey Wade

#2 Matisse's "workroom" The Red Studio, where there are no hands on the clock & most everything is unreal but the art.

#3 A letter from Tennessee Williams a few weeks after he cast me in his Vieux Carre at the theater bearing his name in Key West. He died about one week before we started rehearsals.
photo: my iphone

#4 The cast of La Ronde, performed by my students in Antaeus' A2 company, directed by Young Ji.
photo: Geoffrey Wade

#5 The artist's studio from my production of Cousin Bette by Jeffery Hatcher, set design by Tom Buderwitz.
photo: Michele K. Short

#6 Click on the image to visit my WORKROOM board on Pinterest. &/or create one of your own!

POST IMAGES
are credited at the end of each blog post.


THE WORKROOM = my space for 
all things acting + creative process + theater art.
I AM = an actor, director, author, teacher, artistic director.
MY GOAL = to help you live in your full potential as an artist.

       I do not seek, I find.   PICASSO            
 find: starting / finishing / exhilaration / collaboration / focus /
committment / just playing around. 
 

  


Monday
May202013

Owning The Role / 5.20.13

We leave our mark by taking -- as if it were a baton -- from our predecessors, & then making it wholly our own.
~ MARTHA GRAHAM

The ownership thing. I’m thinking about this a lot lately. How it works. Why it works. And when it works, how undeniable it is. How utterly irresistible.

The word has positive & negative connotations. But for an actor owning the role = mastery / value / respect. The powerful feeling of ownership = the end of thinking & worrying & plotting & planning & the onset of the relaxation & confidence of just being 

How does it come about? How do you take an unfamiliar object: Blanche Dubois / President Lincoln / an ER doc / Marie Curie / a psychopath / or a cipher with three lines called “Man at Party” & claim it as yours? Possess it so completely that no one can imagine any one but you in the part? 

How you get from you, to there? 

Click to read more ...

Friday
Apr122013

It's Called 'Show-Art' / 4.16.13

  So you bring your true self to the work, your unadulterated effort, without negative self-talk & the sanding off of the interesting edges. Instead of compromise, you bring us vision.
SETH GODIN

I lead a group called The Art of the Biz -- which sounds a bit too Hollywood-ish for my taste, but it's all about this: making the business part of what we do as creative / soulful / disciplined / professional / enjoyable / as the art part.

subscribe to The Workroom!

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Saturday
Mar022013

Where To Start? / 3.3.13

A play for the first time in 3 years. The longest stretch I’ve gone without acting in a play since I was 15. upended / rusty / flummoxed / giddy / terrified. 

Where to start? My brain rebels against memorizing lines. I feel like I can’t find a clue in the text as to who I’m supposed to be. In the most congenial of rooms with a bunch of smart & talented people I feel like I don’t understand at all how to mutually collude to tell a story – that is, to tell the same story. 

Click to read more ...

Friday
Jan182013

Be Famous / 1.20.13

Hey you – struggling actor. Yes, you. Come with me for a moment. I want to take you on a little journey. 

Imagine for a moment that you have achieved your dreams. You did a terrific role in an important film, say, in the past year. Your work was noticed by the press & your peers. In fact, you were nominated for  -- no, you won! -- an Oscar or an Emmy or a Tony -- whatever turns you on most.

subscribe here! 

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Thursday
Jan032013

Chaos, Order & All Things New / 1.3.13

The picture of my ideal life at about 18 = something like: 8am Swimming / 9am Strawberries & oatmeal / 10am French class / 11am Voice work / 12noon Massage / 1pm Stuffed artichokes & rare steak  / 2pm Acting class / 5pm Nap / 6pm Bathe / 7:30 Champagne / 8pm - well, you get the idea: learning, luxury, poetry & discipline. (really, does anything sound sexier?)

To that end, here's what's jazzing me for 2013.

Click to read more ...

Tuesday
Dec112012

50 Shades of Auditioning / 12.12.12

I meet very few actors for whom auditioning is "vanilla" -- i.e. the same thing every time, no big deal, walk in, read, walk out, slam-bam-thank-you-m'am.

Nor should it be. It's loaded. It comes with all kinds of of hopes & expectations. It's different animal than the rest of acting. It carries the promise of more than just a job. An audition for a good role can be the seed from which blooms a whole career. No sense pretending this isn't the case.

Click to read more ...

Thursday
Nov292012

Previous Posts


RSS & The Meaning of Life 11.26.12

 Embrace the Crisis 11.8.12

To Compete or To Create 10.27.12

 

Bad Material / Good Audition  10.19.12

Talent & Personality  10.12.12

15 Minutes a Day  10.1.12



Mastery & Optimism  9.18.12

Survival of the Creative-est  9.7.12   

 

The Art/Biz Diaries Ongoing